立ち止まる人

 物質感のある、朽ち果てることのない陶でつくられた像に、平面的な画法でモチーフが描かれている。二つの要素を交錯させることで、現実と想像のあわいに人間が生きることの感触がつかめればとの想いで制作された。

 利便性を求め、何かに向かって急ぐような現代の過ごし方は何を意味するのか。作品の背面には、空っぽになった瓶や容器、ゴミでいっぱいに膨れ上がった袋、うなだれたり、力なく寝そべったりした人物などが描かれ、それは虚しく転がった、抜け殻のような消費社会の風景である。

 歩みの速度を落として立ち止まり、象形的に山の形で座るどっしりとした像は風景の一部となりながら、遠くを見通す眼差しを持つ。その佇まいは、日常とは別の豊かさをもたらす、異なる時間の質との接点になるのではないか。

 「立ち止まる人」は、陶芸の伝統と、日本文化となっている漫画やアニメなどに見られる描線や色彩が組み合わされたユニークな作品である。



A Person Standing Still

A statue made in ceramics, giving a sense of immutable materiality, is painted with motifs in a two-dimensional manner. It was made with the hope that, by causing two elements to intersect, the viewer will feel human life in the space between reality and imagination.

What meaning is there in the ways we spend our time in the present day, seeking convenience and rushing onward without direction? Depicted on the reverse side of the work are empty bottles and containers, bags filled with garbage, and figures nodding or lying down for lack of energy, all of which are scenes of a consumer society that can be likened to an empty shell rolling aimlessly.

Slowing to a stop and sitting in the shape of a hieroglyphic mountain, the imposing figure forms part of the landscape as it gazes into the distance. This sight may well be a point of contact with a different quality of time that has a richness distinct from that of the everyday.

A Person Standing Still is a unique work that combines the tradition of ceramics with the lines and colors found in manga and anime, which have become a part of Japanese culture.

  

立ち止まる人 制作過程/In process of making


この作品は、2020年から2023年にかけて滋賀県 陶芸の森のレジデンスプログラムで制作された。 最初の習作は全て一体で成形、焼成されたが、無数の亀裂が発生したために破棄された。続く本作品は最初6つの部分に分けて成形、焼成され、そのあと釉薬を接着剤として用い、接合された。そののち、さらに陶芸用の顔料、化粧土、釉薬などを吹き付け、彩色したのち、再度焼成された。ステンレスの台座を含めると、総重量は約800kgにおよび、ONOMICHI U2(広島県尾道市)のオリーブ広場にはラフタークレーンを使って搬入された。


This work was created as a residency program at the Shigaraki Ceramic Cultural Park in Shiga-prefecture from 2020 to 2023. The first study was all molded and fired in one piece, but was discarded due to numerous cracks. The following work was first molded and fired in six parts, which were then glued together using glaze as an adhesive. After that, it was further sprayed with pottery pigments, engobe, glaze, etc., and then fired again. The total weight, including the stainless steel pedestal, is about 800 kg, and it was brought to Olive Plaza of ONOMICHI U2,Onomichi-city in Hirosima-prefecture using a rough terrain crane.




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